⊗ Criss Angel is also very sympathetic and understands the unspoken feelings and needs of others. ⊗
⊗ Criss Angel takes slights and rebuffs very personally and though he may forgive a transgression by a friend or loved one, he never forgets it. ⊗
⊗ He is emotionally expressive and often dramatizes his feelings, acting them out or blowing them out of proportion. ⊗
⊗ Criss Angel cannot hide his instinctive emotional reactions to people or situations, and he does not make any pretenses about his personal sympathies or antipathies. ⊗
⊗ Criss Angel has a childlike openness and playfulness which is very appealing to others, but which sometimes gets him into trouble, as Criss takes risks on impulse or whim. ⊗
⊗ His emotional attitudes and instincts tend to be quite liberal. ⊗
⊗ Criss Angel does not want to be caged or dictated to, and he feels everyone is entitled to do as they please in their personal and emotional affairs. Angel tends to surround himself with people who are unusual, creative, open-minded, unpredictable, restless, and changeable, and his relationships, with women in particular, may be somewhat unstable as a result. However, Criss Angel enjoys an element of surprise and unpredictability.
Angel tends to lead a modern way of life; his style of clothes as well as general life style. ⊗
Cerita , Pengalaman , Ilmu , Perkongsian , Agama , Seni , Hiburan , Kesihatan , Info , Petua dan sebagainya aku kongsikan di blog ini .
Selasa, 2 Februari 2010
Khamis, 28 Januari 2010
Harry Houdini
Harry Houdini (lahir di Budapest, Hungary, 24 Mac 1874–meninggal di Detroit, 31 Oktober 1926) adalah seorang ahli silap mata terkemuka yang berasal dari Amerika Syarikat. Beliau paling dikenali melalui aksi-aksi meloloskan dirinya, antara lain melepaskan diri dari ikatan tali, gari, rantai, dan yang paling terkenal: muslihat Chinese water torture, di mana tubuh Houdini digantung terbalik lalu dia berjaya meloloskan diri dari almari kaca yang diisi penuh dengan air.
Houdini mula menjadi ahli silap mata bermula pada tahun 1891. Awalnya dia hanya melakukan aksi silap matanya menggunakan kad-kad terup, namun kerjayanya menanjak sejak mula memfokuskan diri pada aksi-aksi meloloskan diri. Pertunjukan terakhir Houdini berlangsung pada 24 Oktober 1926. Sehari kemudian dia telah dimasukkan kedalam hospital dan meninggal dunia akibat peritonitis di bahagian apendiks pada 31 Oktober 1926.
Houdini mula menjadi ahli silap mata bermula pada tahun 1891. Awalnya dia hanya melakukan aksi silap matanya menggunakan kad-kad terup, namun kerjayanya menanjak sejak mula memfokuskan diri pada aksi-aksi meloloskan diri. Pertunjukan terakhir Houdini berlangsung pada 24 Oktober 1926. Sehari kemudian dia telah dimasukkan kedalam hospital dan meninggal dunia akibat peritonitis di bahagian apendiks pada 31 Oktober 1926.
Types of magic performance
Magic performances tend to fall into a few specialties or genres.
A mentalist on stage in a mind-reading performance, 1900
Amateur magician performing "children's magic" for a birthday party audience
Stage illusions are performed for large audiences, typically within an auditorium. This type of magic is distinguished by large-scale props, the use of assistants and often exotic animals such as elephants and tigers. Some famous stage illusionists, past and present, include Harry Blackstone, Sr., Howard Thurston, Chung Ling Soo, David Copperfield, Siegfried & Roy, and Harry Blackstone, Jr..
Platform magic (also known as cabaret magic or stand-up magic) is performed for a medium to large audience. Nightclub magic and comedy club magic are also examples of this form. The use of illusionettes (small tabletop illusions) is common. The term parlor magic is sometimes used but is considered by some to be pejorative. This genre includes the skilled manipulation of props such as billiard balls, card fans, doves, rabbits, silks, and rope. Examples of such magicians include Jeff McBride, Penn & Teller, David Abbott, Channing Pollock, Black Herman, and Fred Kaps.
Micromagic (also known as close-up magic or table magic) is performed with the audience close to the magician, sometimes even one-on-one. It usually makes use of everyday items as props, such as cards (see Card manipulation), coins (see Coin magic), and seemingly 'impromptu' effects. This may be called "table magic", particularly when performed as dinner entertainment. Ricky Jay and Lee Asher, following in the traditions of Dai Vernon, Slydini, and Max Malini, are considered among the foremost practitioners of close-up magic.
Escapology is the branch of magic that deals with escapes from confinment or restraints. Harry Houdini is a well-known example of an escape artist or escapologist.
Mentalism creates the impression in the minds of the audience that the performer possesses special powers to read thoughts, predict events, control other minds, and similar feats. It can be presented on a stage, in a cabaret setting, before small close-up groups, or even for one spectator. Well-known mentalists of the past and present include Alexander, The Zancigs, Axel Hellstrom, Dunninger, Kreskin, and Banachek.
Theatrical séances simulate spiritualistic or mediumistic phenomena for theatrical effect. This genre of stage magic has been misused at times by charlatans pretending to actually be in contact with spirits.
Children's magic is performed for an audience primarily composed of children. It is typically performed at birthday parties, preschools, elementary schools, Sunday schools or libraries. This type of magic is usually comedic in nature and involves audience interaction as well as volunteer assistants.
Online magic tricks were designed to function on a computer screen. The computer essentially replaces the magician. Some online magic tricks recreate traditional card tricks and require user participation, while others, like Plato's Cursed Triangle, are based on mathematical, geometrical and/or optical illusions. One such online magic trick, called Esmeralda's Crystal Ball, became a viral phenomenon that fooled so many computer users into believing that their computer had supernatural powers, that Snopes dedicated a page to debunking the trick.
Mathemagic is a genre of stage magic that combines magic and mathematics. It is commonly used by children's magicians and mentalists.
Corporate magic or trade show magic uses magic as a communication and sales tool, as opposed to just straightforward entertainment. Corporate magicians may come from a business background and typically present at meetings, conferences and product launches. They run workshops and can sometimes be found at trade shows, where their patter and illusions enhance an entertaining presentation of the products offered by their corporate sponsors. The pioneer performer in this arena is Eddie Tullock.[6]
Gospel magic uses magic to catechize and evangelize. Gospel magic was first used by St. Don Bosco to interest children in 19th century Turin, Italy to come back to school, to accept assistance and to attend church.
Street magic is a form of street performing or busking that employs a hybrid of stage magic, platform and close-up magic, usually performed 'in the round' or surrounded by the audience. Notable modern street magic performers include Jeff Sheridan and Gazzo. Since the first David Blaine TV special Street Magic aired in 1997, the term "street magic" has also come to describe a style of 'guerilla' performance in which magicians approach and perform for unsuspecting members of the public on the street. Unlike traditional street magic, this style is almost purely designed for TV and gains its impact from the wild reactions of the public. Magicians of this type include David Blaine and Cyril Takayama.
Bizarre magic uses mystical, horror, fantasy and other similar themes in performance. Bizarre magic is typically performed in a close-up venue, although some performers have effectively presented it in a stage setting. Charles Cameron has generally been credited as the "godfather of bizarre magic." Others, such as Tony Andruzzi, have contributed significantly to its development.
Shock magic is a genre of magic that shocks the audience. Sometimes referred to as "geek magic," it takes its roots from circus sideshows, in which 'freakish' performances were shown to audiences. Common shock magic or geek magic effects include eating razor blades, needle-through-arm, string through neck and pen-through-tongue.
A mentalist on stage in a mind-reading performance, 1900
Amateur magician performing "children's magic" for a birthday party audience
Stage illusions are performed for large audiences, typically within an auditorium. This type of magic is distinguished by large-scale props, the use of assistants and often exotic animals such as elephants and tigers. Some famous stage illusionists, past and present, include Harry Blackstone, Sr., Howard Thurston, Chung Ling Soo, David Copperfield, Siegfried & Roy, and Harry Blackstone, Jr..
Platform magic (also known as cabaret magic or stand-up magic) is performed for a medium to large audience. Nightclub magic and comedy club magic are also examples of this form. The use of illusionettes (small tabletop illusions) is common. The term parlor magic is sometimes used but is considered by some to be pejorative. This genre includes the skilled manipulation of props such as billiard balls, card fans, doves, rabbits, silks, and rope. Examples of such magicians include Jeff McBride, Penn & Teller, David Abbott, Channing Pollock, Black Herman, and Fred Kaps.
Micromagic (also known as close-up magic or table magic) is performed with the audience close to the magician, sometimes even one-on-one. It usually makes use of everyday items as props, such as cards (see Card manipulation), coins (see Coin magic), and seemingly 'impromptu' effects. This may be called "table magic", particularly when performed as dinner entertainment. Ricky Jay and Lee Asher, following in the traditions of Dai Vernon, Slydini, and Max Malini, are considered among the foremost practitioners of close-up magic.
Escapology is the branch of magic that deals with escapes from confinment or restraints. Harry Houdini is a well-known example of an escape artist or escapologist.
Mentalism creates the impression in the minds of the audience that the performer possesses special powers to read thoughts, predict events, control other minds, and similar feats. It can be presented on a stage, in a cabaret setting, before small close-up groups, or even for one spectator. Well-known mentalists of the past and present include Alexander, The Zancigs, Axel Hellstrom, Dunninger, Kreskin, and Banachek.
Theatrical séances simulate spiritualistic or mediumistic phenomena for theatrical effect. This genre of stage magic has been misused at times by charlatans pretending to actually be in contact with spirits.
Children's magic is performed for an audience primarily composed of children. It is typically performed at birthday parties, preschools, elementary schools, Sunday schools or libraries. This type of magic is usually comedic in nature and involves audience interaction as well as volunteer assistants.
Online magic tricks were designed to function on a computer screen. The computer essentially replaces the magician. Some online magic tricks recreate traditional card tricks and require user participation, while others, like Plato's Cursed Triangle, are based on mathematical, geometrical and/or optical illusions. One such online magic trick, called Esmeralda's Crystal Ball, became a viral phenomenon that fooled so many computer users into believing that their computer had supernatural powers, that Snopes dedicated a page to debunking the trick.
Mathemagic is a genre of stage magic that combines magic and mathematics. It is commonly used by children's magicians and mentalists.
Corporate magic or trade show magic uses magic as a communication and sales tool, as opposed to just straightforward entertainment. Corporate magicians may come from a business background and typically present at meetings, conferences and product launches. They run workshops and can sometimes be found at trade shows, where their patter and illusions enhance an entertaining presentation of the products offered by their corporate sponsors. The pioneer performer in this arena is Eddie Tullock.[6]
Gospel magic uses magic to catechize and evangelize. Gospel magic was first used by St. Don Bosco to interest children in 19th century Turin, Italy to come back to school, to accept assistance and to attend church.
Street magic is a form of street performing or busking that employs a hybrid of stage magic, platform and close-up magic, usually performed 'in the round' or surrounded by the audience. Notable modern street magic performers include Jeff Sheridan and Gazzo. Since the first David Blaine TV special Street Magic aired in 1997, the term "street magic" has also come to describe a style of 'guerilla' performance in which magicians approach and perform for unsuspecting members of the public on the street. Unlike traditional street magic, this style is almost purely designed for TV and gains its impact from the wild reactions of the public. Magicians of this type include David Blaine and Cyril Takayama.
Bizarre magic uses mystical, horror, fantasy and other similar themes in performance. Bizarre magic is typically performed in a close-up venue, although some performers have effectively presented it in a stage setting. Charles Cameron has generally been credited as the "godfather of bizarre magic." Others, such as Tony Andruzzi, have contributed significantly to its development.
Shock magic is a genre of magic that shocks the audience. Sometimes referred to as "geek magic," it takes its roots from circus sideshows, in which 'freakish' performances were shown to audiences. Common shock magic or geek magic effects include eating razor blades, needle-through-arm, string through neck and pen-through-tongue.
Categories of effects
There is discussion among magicians as to how a given effect is to be categorized, and disagreement as to what categories actually exist—for instance, some magicians consider "penetrations" to be a separate category, while others consider penetrations a form of restoration or teleportation. Some magicians today, such as Guy Hollingworth[3] and Tom Stone[4] have begun to challenge the notion that all magic effects fit into a limited number of categories. Among magicians who believe in a limited number of categories (such as Dariel Fitzkee, Harlan Tarbell, S.H. Sharpe), there has been disagreement as to how many different types of effects there are. Some of these are listed below.
Production: The magician produces something from nothing—a rabbit from an empty hat, a fan of cards from thin air, a shower of coins from an empty bucket, a dove from a pan, or the magician him or herself, appearing in a puff of smoke on an empty stage—all of these effects are productions.
Vanish: The magician makes something disappear—a coin, a cage of doves, milk from a newspaper, an assistant from a cabinet, or even the Statue of Liberty. A vanish, being the reverse of a production, may use a similar technique, in reverse.
Transformation: The magician transforms something from one state into another—a silk handkerchief changes colour, a lady turns into a tiger, an indifferent card changes to the spectator's chosen card. A transformation can be seen as a combination of a vanish and a production.
Restoration: The magician destroys an object, then restores it back to its original state—a rope is cut, a newspaper is torn, a woman is sawn in half, a borrowed watch is smashed to pieces—then they are all restored to their original state.
Teleportation: The magician causes something to move from one place to another—a borrowed ring is found inside a ball of wool, a canary inside a light bulb, an assistant from a cabinet to the back of the theatre. When two objects exchange places, it is called a transposition: a simultaneous, double teleportation.
Escape: The magician (an assistant may participate, but the magician himself is by far the most common) is placed in a restraining device (i.e. handcuffs or a straitjacket) or a death trap, and escapes to safety. Examples include being put in a straitjacket and into an overflowing tank of water, and being tied up and placed in a car being sent through a car crusher.
Levitation: The magician defies gravity, either by making something float in the air, or with the aid of another object (suspension)—a silver ball floats around a cloth, an assistant floats in mid-air, another is suspended from a broom, a scarf dances in a sealed bottle, the magician hovers a few inches off the floor. There are many popular ways to create this illusion of even the magician himself being levitated.
Penetration: The magician makes a solid object pass through another—a set of steel rings link and unlink, a candle penetrates an arm, swords pass through an assistant in a basket, a saltshaker penetrates the table-top, a man walks through a mirror. Sometimes referred to as "solid-through-solid".
Prediction: The magician predicts the choice of a spectator, or the outcome of an event under seemingly impossible circumstances—a newspaper headline is predicted, the total amount of loose change in the spectator's pocket, a picture drawn on a slate. Prediction forms the basis for most "pick-a-card" tricks, where a random card is chosen, then revealed to be known by the performer.
Many magical routines use combinations of effects. For example, in "cups and balls" a magician may use vanishes, productions, penetrations, teleportation and transformations as part of the one presentation.
Production: The magician produces something from nothing—a rabbit from an empty hat, a fan of cards from thin air, a shower of coins from an empty bucket, a dove from a pan, or the magician him or herself, appearing in a puff of smoke on an empty stage—all of these effects are productions.
Vanish: The magician makes something disappear—a coin, a cage of doves, milk from a newspaper, an assistant from a cabinet, or even the Statue of Liberty. A vanish, being the reverse of a production, may use a similar technique, in reverse.
Transformation: The magician transforms something from one state into another—a silk handkerchief changes colour, a lady turns into a tiger, an indifferent card changes to the spectator's chosen card. A transformation can be seen as a combination of a vanish and a production.
Restoration: The magician destroys an object, then restores it back to its original state—a rope is cut, a newspaper is torn, a woman is sawn in half, a borrowed watch is smashed to pieces—then they are all restored to their original state.
Teleportation: The magician causes something to move from one place to another—a borrowed ring is found inside a ball of wool, a canary inside a light bulb, an assistant from a cabinet to the back of the theatre. When two objects exchange places, it is called a transposition: a simultaneous, double teleportation.
Escape: The magician (an assistant may participate, but the magician himself is by far the most common) is placed in a restraining device (i.e. handcuffs or a straitjacket) or a death trap, and escapes to safety. Examples include being put in a straitjacket and into an overflowing tank of water, and being tied up and placed in a car being sent through a car crusher.
Levitation: The magician defies gravity, either by making something float in the air, or with the aid of another object (suspension)—a silver ball floats around a cloth, an assistant floats in mid-air, another is suspended from a broom, a scarf dances in a sealed bottle, the magician hovers a few inches off the floor. There are many popular ways to create this illusion of even the magician himself being levitated.
Penetration: The magician makes a solid object pass through another—a set of steel rings link and unlink, a candle penetrates an arm, swords pass through an assistant in a basket, a saltshaker penetrates the table-top, a man walks through a mirror. Sometimes referred to as "solid-through-solid".
Prediction: The magician predicts the choice of a spectator, or the outcome of an event under seemingly impossible circumstances—a newspaper headline is predicted, the total amount of loose change in the spectator's pocket, a picture drawn on a slate. Prediction forms the basis for most "pick-a-card" tricks, where a random card is chosen, then revealed to be known by the performer.
Many magical routines use combinations of effects. For example, in "cups and balls" a magician may use vanishes, productions, penetrations, teleportation and transformations as part of the one presentation.
History
The term "magic" is etymologically derived from the Latin word magi. Performances we would now recognize as conjuring have probably been practiced throughout history. The same level of ingenuity that was used to produce famous ancient deceptions such as the Trojan Horse would also have been used for entertainment, or at least for cheating in money games, since time immemorial. They were also used by various religions from times ancient, and were even known as far back as the early 17th century to be used to frighten uneducated populi. However, the profession of the illusionist gained strength only in the eighteenth century, and has enjoyed several popular vogues.
In 1584, Reginald Scot published The Discoverie of Witchcraft. It was written in an attempt to show that witches did not exist, by exposing how (apparently miraculous) feats of magic were done. The book is often deemed the first textbook about conjuring. All obtainable copies were burned on the accession of James I in 1603 and those remaining are now rare. It began to reappear in print in 1651.
Jean Eugène Robert-Houdin, the first modern magician
From 1756 to 1781, Jacob Philadelphia performed feats of magic, sometimes under the guise of scientific exhibitions, throughout Europe and in Russia. Modern entertainment magic owes much to Jean Eugène Robert-Houdin (1805-1871), originally a clockmaker, who opened a magic theatre in Paris in the 1840s. His speciality was the construction of mechanical automata which appeared to move and act as if they were alive. The British performer J N Maskelyne and his partner Cooke established their own theatre, the Egyptian Hall in London's Piccadilly, in 1873. They presented stage magic, exploiting the potential of the stage for hidden mechanisms and assistants, and the control it offers over the audience's point of view.
The model for the look of a 'typical' magician—a man with wavy hair, a goatee, and a tailcoat—was Alexander Herrmann (February 10, 1844 – December 17, 1896), also known as Herrmann the Great. Herrmann was a French magician and was part of the Herrmann family name that is the "first-family of magic". Those who witnessed Herrmann the Great perform considered him the greatest magician they ever saw.
The escapologist and magician Harry Houdini took his stage name from Robert-Houdin and developed a range of stage magic tricks, many of them based on escapology (though that word was not used until after Houdini's death). The son of a Hungarian rabbi, Houdini was genuinely skilled in techniques such as lockpicking and escaping straitjackets, but also made full use of the range of conjuring techniques, including fake equipment and collusion with individuals in the audience. Houdini's show business savvy was great as well as his performance skill. There is a Houdini Museum dedicated to him in Scranton, Pennsylvania.
As a form of entertainment, magic easily moved from theatrical venues to television specials, which opened up new opportunities for deceptions, and brought stage magic to huge audiences. Famous magicians of the 20th century included Okita, Alexander, Harry Blackstone Sr., Harry Blackstone Jr., Howard Thurston, Theodore Annemann, Cardini, Joseph Dunninger, Tommy Wonder, Siegfried & Roy, and Doug Henning. Popular 20th and 21st century magicians include David Copperfield, Lance Burton, Penn and Teller, David Blaine, and Criss Angel. Most TV magicians perform before a live audience, who provide the remote viewer with a reassurance that the illusions are not obtained with post-production visual effects.
Many of the principles of stage magic are old. There is an expression, "it's all done with smoke and mirrors", used to explain something baffling, but effects seldom use mirrors today, due to the amount of installation work and transport difficulties. For example, the famous Pepper's Ghost, a stage illusion first used in 19th-century London, required a specially built theatre. Modern performers have vanished objects as large as the Taj Mahal, the Statue of Liberty, and a space shuttle, using other kinds of optical deceptions.
In 1584, Reginald Scot published The Discoverie of Witchcraft. It was written in an attempt to show that witches did not exist, by exposing how (apparently miraculous) feats of magic were done. The book is often deemed the first textbook about conjuring. All obtainable copies were burned on the accession of James I in 1603 and those remaining are now rare. It began to reappear in print in 1651.
Jean Eugène Robert-Houdin, the first modern magician
From 1756 to 1781, Jacob Philadelphia performed feats of magic, sometimes under the guise of scientific exhibitions, throughout Europe and in Russia. Modern entertainment magic owes much to Jean Eugène Robert-Houdin (1805-1871), originally a clockmaker, who opened a magic theatre in Paris in the 1840s. His speciality was the construction of mechanical automata which appeared to move and act as if they were alive. The British performer J N Maskelyne and his partner Cooke established their own theatre, the Egyptian Hall in London's Piccadilly, in 1873. They presented stage magic, exploiting the potential of the stage for hidden mechanisms and assistants, and the control it offers over the audience's point of view.
The model for the look of a 'typical' magician—a man with wavy hair, a goatee, and a tailcoat—was Alexander Herrmann (February 10, 1844 – December 17, 1896), also known as Herrmann the Great. Herrmann was a French magician and was part of the Herrmann family name that is the "first-family of magic". Those who witnessed Herrmann the Great perform considered him the greatest magician they ever saw.
The escapologist and magician Harry Houdini took his stage name from Robert-Houdin and developed a range of stage magic tricks, many of them based on escapology (though that word was not used until after Houdini's death). The son of a Hungarian rabbi, Houdini was genuinely skilled in techniques such as lockpicking and escaping straitjackets, but also made full use of the range of conjuring techniques, including fake equipment and collusion with individuals in the audience. Houdini's show business savvy was great as well as his performance skill. There is a Houdini Museum dedicated to him in Scranton, Pennsylvania.
As a form of entertainment, magic easily moved from theatrical venues to television specials, which opened up new opportunities for deceptions, and brought stage magic to huge audiences. Famous magicians of the 20th century included Okita, Alexander, Harry Blackstone Sr., Harry Blackstone Jr., Howard Thurston, Theodore Annemann, Cardini, Joseph Dunninger, Tommy Wonder, Siegfried & Roy, and Doug Henning. Popular 20th and 21st century magicians include David Copperfield, Lance Burton, Penn and Teller, David Blaine, and Criss Angel. Most TV magicians perform before a live audience, who provide the remote viewer with a reassurance that the illusions are not obtained with post-production visual effects.
Many of the principles of stage magic are old. There is an expression, "it's all done with smoke and mirrors", used to explain something baffling, but effects seldom use mirrors today, due to the amount of installation work and transport difficulties. For example, the famous Pepper's Ghost, a stage illusion first used in 19th-century London, required a specially built theatre. Modern performers have vanished objects as large as the Taj Mahal, the Statue of Liberty, and a space shuttle, using other kinds of optical deceptions.
The History of the Magician Card
The Magician dalam menyampaikan bersejarah tarot deck pola asas yang agak berbeza daripada di geladak moden. Ada dua jenis sihir. Salah satunya adalah ahli sihir, ahli metafisik rahsia dan pengetahuan kuno, menyerukan kuasa kosmos menekuk realiti sesuai dengan kehendak-Nya. Yang lain adalah tukang sulap, para tukang sulap, para penghibur, para penipu. Walaupun kedua penglihatan para penyihir boleh mencampur dan berinteraksi dalam cara yang menarik, adalah tepat untuk mengatakan bahawa dalam deck moden biasanya kita melihat tukang sihir; di geladak bersejarah biasanya kita melihat tukang sulap.
Ini adalah watak yang bercakap cepat, menarik perhatian, flamboyan orang sombong yang kontra lewat daripada wang mereka menggunakan sulap dan pandai mengoceh. Dia adalah nenek moyang laki-laki di tophat hitam dan wax kumis, PT Barnum, dan setiap dua-bit pengedar yang berharap untuk membuat skor besar.
Ini adalah watak yang bercakap cepat, menarik perhatian, flamboyan orang sombong yang kontra lewat daripada wang mereka menggunakan sulap dan pandai mengoceh. Dia adalah nenek moyang laki-laki di tophat hitam dan wax kumis, PT Barnum, dan setiap dua-bit pengedar yang berharap untuk membuat skor besar.
Rabu, 27 Januari 2010
All About Me !!
Saya berumur 19tahun berasal dari Sandakan Sabah,baru sahaja balik dari menjalani latihan Khidmat Negara di Kem PLKN Jugra Banting,Selangor..Dan kini sedang berusaha untuk menyambung pelajaran atau pekerjaan dalam keadaan yang sediakala..Sementara menunggu keputusan,saya masih lagi bergiat dalam bidang Silap Mata dari saya berumur 16tahun sampailah sekarang ni,hehehe..Disamping itu juga,saya mengaktifkan rutin harian saya dengan kerja² sambilan iaitu kerja di klinik bapa saya sendiri sebagai pembantu kerani dan yang berkaitanlah dengan perubatan,hehehe..
☆ MaEn gAmE ( MaGiC, Counter Strike 17, Warcraft 3 Frozen Throne, Naruto Shippuuden, Magazine, Red Alert 2, Ninjas, Strategy Games, Chess Club dan mCm² lAgI.. ) ☆
♣♠๘ஜ๑☆●♥♥♥CrissYaN♥♥♥●☆๘ஜ๑♦♥
☆ MeLePaK nGaN kAwAn².. ☆
☆ kErJa sAmBiLaN.. ஜmCm² lGi la.. ☆
☆ mErAnTaU kEsElUrUh pEdAlAmAn sAbAh.. ☆
☆ maEn MaGiC dAn sAlU bUaT pErsEmBaHaN MAGIC.. ☆
☆ XCM® Xtreme CarD ManiPulaTioN™ .. ☆
☆ DizPlaY PlaYinG CaRD's .. ☆
☆ jAlAn² cAri mAnGsA uNtUk d SiLaPkAn mAtA.. ☆
☆ bEli BaRanG² MaGiC .. ☆
☆ mAen RuBik's CuBe nGaN cAri oPponent .. ☆
☆ tOlOnG bApA kEjA d KliniK .. ☆
☆ bErkEnALaN nGaN oRg yG bGus² .. ☆
☆ sHoPpInG² nGan kArAoKe hEhE .. ☆
☆ MaEn gAmE ( MaGiC, Counter Strike 17, Warcraft 3 Frozen Throne, Naruto Shippuuden, Magazine, Red Alert 2, Ninjas, Strategy Games, Chess Club dan mCm² lAgI.. ) ☆
♣♠๘ஜ๑☆●♥♥♥CrissYaN♥♥♥●☆๘ஜ๑♦♥
☆ MeLePaK nGaN kAwAn².. ☆
☆ kErJa sAmBiLaN.. ஜmCm² lGi la.. ☆
☆ mErAnTaU kEsElUrUh pEdAlAmAn sAbAh.. ☆
☆ maEn MaGiC dAn sAlU bUaT pErsEmBaHaN MAGIC.. ☆
☆ XCM® Xtreme CarD ManiPulaTioN™ .. ☆
☆ DizPlaY PlaYinG CaRD's .. ☆
☆ jAlAn² cAri mAnGsA uNtUk d SiLaPkAn mAtA.. ☆
☆ bEli BaRanG² MaGiC .. ☆
☆ mAen RuBik's CuBe nGaN cAri oPponent .. ☆
☆ tOlOnG bApA kEjA d KliniK .. ☆
☆ bErkEnALaN nGaN oRg yG bGus² .. ☆
☆ sHoPpInG² nGan kArAoKe hEhE .. ☆
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